As a sequel to the Da Vinci Code, already based in the mass consciousness, here is the next riddle, solved.Jain 108, the mathematical sleuth, the synthesis, the philomorph (lover of forms), the mathematical monk, the numerical nomad, the para-physical code-breaker, has gone deeper down this Phi Code 108 rabbit hole. In Volume 3, he introduced us to the Phi Code 108 pine cone maths, and now in this epochal book of volume 4, he reveals extraordinary phine details never seen before in print.This 108 compendium is like a mathematical detective story having a denouement as magical as it is indisputable, as baffling to professors of mathematics, geometry and technophiles as it is simple in its precise and grand design being lucidly based on nature's rawest eco and bio principles.To even consider that an elegant, symmetrical and infinitely repeating 24 code-pattern exists in the Living Curvation of Nature's Numbers, will be hotly denounced and widely read.For 2,000 years we have been duped that no pattern exists in the Divine Proportion. How sad that this distortion was ever believed!This 108 Code, Pine Code, this pulse of the Universe, is the stuff of cryptically coded parchments, buried treasures, secret societies and obscure dynasties of oppression and suppression of knowledge. What is all the fuss about: How can it be that over a billion Hindu people in the world are worshipping this Shri 108 yet they do not know its mathematical derivation or origin!Jain 108's Digitally Compressed and Infinitely Repeating 24 Patter is indeed another permanent bullet in the world of fortified mathematical armouring.Jain's central problem or "spiritual core issue of concern" is that he is a man of the 22nd century living in the 21st!Poetical and Passionate, he is attempting to bring in the feminised, right-brain mathematics based on 108 and the Ture Value of Pi, but is challenged appropriately and vigorously by rigid curriculum-makers who fear change and a loss of job. He is an intrepid Mathematical Psychonaut and Mathematical FUTURIST.
