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portada Lina bo Bardi: Material Ideologies
Type
Physical Book
Language
English
Pages
272
Format
Paperback
Dimensions
25.4 x 20.3 x 2.8 cm
Weight
0.98 kg.
ISBN13
9780964264168

Lina bo Bardi: Material Ideologies

Beatriz Colomina (Contributions by) · Sol Camacho (Contributions by) · Princeton University Press · Paperback

Lina bo Bardi: Material Ideologies - Beatriz Colomina

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Synopsis "Lina bo Bardi: Material Ideologies "

Leading art historians, architects, designers, artists, and urbanists share new perspectives on this visionary architect's material legacy Lina Bo Bardi (1914-1992) is renowned for her boldly modernist designs like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia. An artist, architect, designer, writer, and activist, she was a tireless champion for local craft and materials. Her democratic designs were inclusive and stood as an open invitation to those typically excluded from elitist institutions, embodying an aesthetic that stood out among the modernist movement in Brazil and abroad. This collection of essays presents new perspectives on Bo Bardi from leading contemporary artists, architects, curators, and scholars. Contributors engage with the conceptual, social, and political philosophies latent in the architectural materials she chose--from her application of concrete to her implementation of nature and her reuse of vernacular materials. Beautifully illustrated and featuring seven gatefolds, Lina Bo Bardi: Material Ideologies sheds vital new light on the ideological strategies inherent in Bo Bardi's iconic projects and lesser-known work. Distributed for the Princeton University School of Architecture
Beatriz Colomina
  (Contributions by)
View Author's Page
Beatriz Colomina is the founding director of the interdisciplinary program Media and Modernity at Princeton University and professor of History and Theory at the School of Architecture of this university. She has written extensively about architecture, art, sexuality, and media. Her books include Manifesto Architecture: The Ghost of Mies (Sternberg, 2014), Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X (Actar, 2010), Domesticity at War (ACTAR 2007), Privacy and Publicity: Modern Architecture as Mass Media (CENDEAC, 2010), and Sexuality and Space (Polytechnic University of Barcelona, 1997). She has curated several exhibitions, including "Clip/Stamp/Fold" (2006), "Playboy Architecture" (2012), and "Radical Pedagogies" (2014). She is co-curator (with Mark Wigley) of the third Istanbul Design Biennial (2016)
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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Paperback.

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