Shipping costs will be calculated based on this address throughout the site.
Select your country
Americas
Argentina
Brazil
Canada
Chile
Colombia
Costa Rica
Dominican Republic
Ecuador
El Salvador
Mexico
Peru
U.S.A.
Uruguay
Europe
Austria
Belgium
Croatia
Czech Republic
Denmark
Finland
France
Germany
Greece
Hungary
Ireland
Italy
Latvia
Malta
Netherlands
Norway
Poland
Portugal
Serbia
Slovakia
Slovenia
Spain
Sweden
Switzerland
United Kingdom
Rest of the world


Handbook of Artificial Intelligence for Music: Fundamentals and Theory
Eduardo Reck Miranda (Author) · Springer Nature Switzerland · Hardcover
AI technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this unique handbook focuses on a largely unexplored application: AI for creating the actual musical content.
Significantly, the two-volume reference presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music.
The first volume, Fundamentals and Theory, essentially covers basic research, theoretical approaches and applications of AI in signal processing. The second volume, Approaches and Practices, focuses on applications of AI in musical composition, performance and robotics. Emerging new approaches to AI-based musical creativity also are introduced, including brain–computer music interfaces, bio-processors and quantum computing.
Topics and features:
* Presents the definitive work on AI and music computing, featuring insights from leading experts and practitioners in the field
* Highlights how AI is much more than just deep learning, showcasing a range of different approaches and developments
* Introduces new and emerging topics in AI, including biocomputing and quantum computing
Prof. Eduardo Reck Miranda is a composer and professor in Computer Music at the University of Plymouth, UK, where he is director of the Interdisciplinary Centre for Computer Music Research. His previous publications include the Springer titles Guide to Unconventional Computing for Music, Guide to Brain-Computer Music Interfacing and Guide to Computing for Expressive Music Performance.
Do you have a question about the book? Login to be able to add your own question.


