Hallo! Tracked shipping to Austria with Delivery Duty Paid for just €3.99  

Ship to
Austria
0
  • argentina
  • chile
  • colombia
  • españa
  • méxico
  • perú
  • estados unidos
  • internacional

Select your country

Americas

Europe

Rest of the world

portada Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony (American Made Music Series)
Type
Physical Book
Year
2018
Language
English
Pages
250
Format
Paperback
ISBN13
9781496819789
Edition No.
1

Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony (American Made Music Series)

Vic Hobson (Author) · University Press Of Mississippi · Paperback

Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony (American Made Music Series) - Vic Hobson

Cheaper New Book Imported to Austria
Delivery: 01 Oct - 05 Oct Shipping: 13 to 14 business days.
48,56 €
Faster New Book Imported to Austria
Delivery: 21 Sep - 23 Sep Shipping: 5 to 6 business days.
59,50 €
Import costs and 10% VAT included in the price ✅
48,56 €

Synopsis "Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony (American Made Music Series) "

Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, ""I figure singing and playing is the same,"" or, ""Singing was more into my blood than the trumpet."" Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.

Customers reviews

Frequently Asked Questions about the Book

All books in our catalog are Original.
The book is written in English.
The binding of this edition is Paperback.

Questions and Answers about the Book

Do you have a question about the book? Login to be able to add your own question.

Opinions about Bookdelivery

More customer reviews