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portada Max Reinhardt Paperback: 0 (Directors in Perspective)
Type
Physical Book
Year
1982
Language
English
Pages
188
Format
Paperback
ISBN
0521295041
ISBN13
9780521295048
Edition No.
1

Max Reinhardt Paperback: 0 (Directors in Perspective)

John L. Styan (Author) · Cambridge University Press · Paperback

Max Reinhardt Paperback: 0 (Directors in Perspective) - John L. Styan

New Book Imported to Austria
Delivery: 30 Nov - 02 Dec Shipping: 5 to 6 business days.
67,60 €
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67,60 €

Synopsis "Max Reinhardt Paperback: 0 (Directors in Perspective) "

Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.

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The book is written in English.
The binding of this edition is Paperback.

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