Name: The Elements of Drawing
Price: 19.02 EUR
Availability: InStock
Author: John Ruskin
ISBN: 9781720677031

Type

Physical Book

Illustrated by

John Ruskin

Author

John Ruskin

Publisher

Createspace

Language

English

Pages

136

Format

Paperback

Dimensions

25.4 x 17.8 x 0.7 cm

Weight

0.25 kg.

ISBN13

9781720677031

Synopsis "The Elements of Drawing"

The Elements of Drawing in Three Letters to Beginners by John Ruskin with Illustrations Drawn by the Author. It may perhaps be thought, that in prefacing a Manual of Drawing, I ought to expatiate on the reasons why drawing should be learned; but those reasons appear to me so many and so weighty, that I cannot quickly state or enforce them. With the reader's permission, as this volume is too large already, I will waive all discussion respecting the importance of the subject, and touch only on those points which may appear questionable in the method of its treatment. In the first place, the book is not calculated for the use of children under the age of twelve or fourteen. I do not think it advisable to engage a child in any but the most voluntary practice of art. If it has talent for drawing, it will be continually scrawling on what paper it can get; and should be allowed to scrawl at its own free will, due praise being given for every appearance of care, or truth, in its efforts. It should be allowed to amuse itself with cheap colours almost as soon as it has sense enough to wish for them.

John Ruskin

(Illustrated by, Author)

View Author's Page

John Ruskin (London, February 8, 1819 - Coniston, January 20, 1900) was an influential writer, art critic, and British social reformer of the 19th century. His work covers a wide range of subjects, including art, architecture, and political economy.

Among his most notable works are "Modern Painters" (1843-1860), a defense of contemporary landscape painting; "The Seven Lamps of Architecture" (1849), where he establishes fundamental principles of architecture; and "The Stones of Venice" (1851-1853), a deep analysis of Venetian architecture. Additionally, "Sesame and Lilies" (1865) and "The Bible of Amiens" (1880-1885) reflect his interest in literature and history.

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