We stare at each other because we don't know which tribe, and then nod at the last possible instant. Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today. Stephen Graham Jones is an assistant professor of English at Texas Tech University. He is the author of the novels The Fast Red Road: A Plainsong, All the Beautiful Sinners, and The Bird is Gone: A Manifesto.
Stephen Graham Jones, nacido el 22 de enero de 1972 en Midland, Texas, es un autor Blackfeet Native American que ha dejado una huella prominente en la ficción contemporánea, especialmente en los géneros de terror, experimental y ciencia ficción. Su trayectoria literaria comenzó con su novela debut, The Fast Red Road, en el año 2000, publicada como parte de su tesis doctoral. Desde entonces, ha demostrado una productividad notable, alcanzando más de treinta novelas, además de colecciones de relatos, cómics y novelas cortas.
Su obra destaca por un estilo inquietante que combina elementos tradicionales del horror —como slashers y mitologías indígenas— con reflexiones profundas sobre identidad, cultura y transformación. Títulos como The Only Good Indians, My Heart Is a Chainsaw (primero de la trilogía The Indian Lake) y Don’t Fear the Reaper lo consolidaron como una voz poderosa en el género. También explora temáticas como la venganza, la justicia y la herencia cultural desde una perspectiva indígena.
Además de escritor, Jones es profesor universitario: ocupa la cátedra Ineva Reilly Baldwin Endowed Chair of English en la Universidad de Colorado Boulder, donde fusiona su pasión por la literatura con la docencia.
Reside en Boulder, Colorado, junto con su esposa y sus hijos, y mantiene una conexión activa con su comunidad y tradiciones como miembro de la Nación Blackfeet.